Throughout time, birds have served as one of the most favourite topics in primitive and advanced cultures across the globe. The frequent representations of birds in the Cypriot art confirm the rule. In the ancient world of Cyprus, mainly during the 8th-6th century B.C., the depiction of birds is prevalent in the decoration of vessels, as stylized birds, true works of art. Statues of priests with eagles in their hands reveal the symbolic importance of these birds, in all likelihood as elements of power and authority. By contrast, the dove, being Aphrodite’s bird par excellence, is represented with female figures and considered a symbol of love and childbearing. The goose, the duck and small birds are depicted with children, often in relief representations where they are probably featured as pets.
During the Medieval period, birds ranked among the most common decorative themes, especially on glazed wares. However, it is not easy to identify the specific species of birds depicted. The paintings convey the love of the people for the winged world of birds or allude to the charms of some of these species, such as the resplendent, plumed partridge, the long impressive neck of water-birds; or the pride of raptors which, among other things, have been associated with wealth and power.
In more recent years, representations of birds are encountered both in utilitarian and decorative objects, for instance weavings, embroideries, jewels and earthenware. Prevalent in ecclesiastical vessels is the double-headed eagle, emblem of the last Byzantine emperors, the Paleologues, and a symbol in the Greek Orthodox post-Byzantine world. In general, the presence of birds and their images evoke a sense of the outdoors and the sounds of the countryside, conveying euphoria and optimism.
Source: Department of Antiquities